Lite förvånande att ett soundtrack som kom 1985 använde D-50 (1987) men det visade sig vara en miss. Senast redigerat av my-11-11 klockan 23:25. I hope I\'ve addressed your questions and thanks again for your interest.ĭå kan man stänga det kapitlet till slut :-) OK, so ends Vince\'s "Synth Programming 101"! Credit must go to my friend Casey Young for his extremely valuable guidance throughout the many years we\'ve worked together. The authenticity of both these programs is very impressive. a division of ilio) and Native Instruments B4 organ program. As far as piano and organ sounds go, I really like this new software piano program called "Ivory" (from a company called Synthogy. Some of the current synth gear I would recommend looking into would be the YAMAHA Motif (great sound and quite versatile) and ilio\'s "Atmosphere" (fairly inexpensive but make sure you have a good computer system to use it on). We mostly used the modular synths for that stuff and I have yet to hear any software modular synths that come close. Just as one example, a lot of the bass sounds we used were made up of one synth handling just the attack ("punch") element of the sound while another synth was used for the sustaining "warm and fat" part of the sound. As in acoustic orchestration, a lot of times less is more and you can often get a \'bigger\' sound by arranging the notes and putting sounds together in such a way that you end up with a huge and very effective sound with surprisingly few notes and sound sources. There are certainly times to do this, but we haven\'t really used that technique very much. Some programmers choose to stack similar sounds from different instruments, thereby creating the illusion of a \'bigger fatter sound\'. b) stacking instruments and getting each one to contribute vastly different elements of the overall sound. The real tricks with synth pragramming are, a) tweaking the sound to sculpt it into whatever piece of music you\'re working on (I very rarely just call up a preset) and. (For some of my recent movie score work, my partner Kenny Meriedeth and I made use of some of the new orchestral libraries, but that obviously gets away from actual synth sounds.) I also use an ALESIS Andromeda (good analag synth), and a KURZWEIL K-2000 (very versatile and good-sounding sampler/player) in addition to some of the newer software units like ilio\'s "Atmosphere"
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